Photo: Mark Blower
Photo: Mark Blower
The Weight of a Patina of Time
2024
Graphite, colored pencil, encaustic on paper
Triptych: 91.25 x 73.25 x 2 in (232 x 186 x 5 cm) each; overall dimensions variable
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Mark Blower
Vessels (III)
2022
Water soluble graphite, toner, watercolor, spray enamel, gesso, wax marking pencil on ball-grained aluminum mounted to Dibond
16 x 20.75 x 0.75 in (41 x 53 x 2 cm)
Photo: Paul Salveson
Photo: Paul Salveson
Thiss time (Quipu)
2023
Water soluble graphite, cotton, watercolor, spray enamel, gesso, wax marking pencil on ball-grained aluminum mounted to Dibond
15.25 x 26 x 0.75 in (39 x 66 x 2 cm)
Photo: Paul Salveson
Exiles (or what kindred and relation)
2022
Scarab, reclaimed walrus skin, steel rod, magnet
Approx. 6.5 x 6.5 x 2.25 in (17 x 17 x 6 cm) each; overall: 6.5 x 15 x 2.25 in (17 x 38 x 6 cm)
Photo: Paul Salveson
Photo: Paul Salveson
The Diviner (After Noah Purifoy)
2023-24
Pigment, encaustic, indigo, toner, oxidized copper, mica on paper mounted to Dibond
35 x 25 x 1 in (89 x 64 x 3 cm)
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Paul Salveson
Archive (Antioquia)
2016–21
Silkscreen on linen, watercolor, soot, wax marking pencil, lacquered wood frame
48.75 x 40.5 in (124 x 103 cm)
Framed: 52.25 x 44 x 2 in (133 x 112 x 5 cm)
Photo: Paul Salveson
Photo: Paul Salveson
at the side of the varied (Jardín)
2021–22
Fiberglass filaments, colored pencil, graphite, charcoal on paper, oxidized brass, patina, lacquered wood frame
Approx. 11 x 8.5 x .25 in (28 x 22 x 1 cm)
Framed: 12.75 x 10.25 x 1.5 in (32 x 26 x 4 cm)
Photo: Paul Salveson
Untitled (Judge)
2016-17
Resin coated photo paper, silkscreen ink, paper pulp, lacquered wood frame
16 x 23 in (41 x 58 cm)
Framed: 21.75 x 25.75 x 2.5 in (55 x 65 x 6 cm)
Photo: Paul Salveson
Photo: Paul Salveson
unending recollection of a repetition
2022-23
Reclaimed polishing wheels with traces of gold, platinum, and silver, tallow, cloth, ceramic, steel
Approx. 21.5 x 42 x 23 in (55 x 107 x 58 cm)
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Mark Blower
Untitled (Small, Quiet Things)
2023
Graphite, watercolor, dried seeds from Elysian Park, feathers, silver wire, piercing needle, antique 24k gold thread, sambe, pearls, 24k gold leaf on parchment, brass nails, walnut veneer, walnut frame
Approx. 49 x 32.25 in (124 x 82 cm)
Framed: 53.5 x 36.75 x 3 in (136 x 93 x 8 cm)
Photo: Mark Blower
Photo: Paul Salveson
Untitled (David Wojnarowicz, Peter Hujar’s Hand, 1988)
2020
Graphite on paper, wood frame
5.5 x 8 in (14 x 20 cm)
Framed: 16 x 16 x 1.5 in (41 x 41 x 4 cm)
Photo: Paul Salveson
Photo: Paul Salveson
Untitled
2024
Antique 24k gold thread on sambe, brass nails
Approx. 92.5 x 13.5 x 0.5 in (235 x 34 x 1 cm)
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Paul Salveson
Untitled (Goh Choo San 3)
2018
Graphite on paper, walnut frame
5 x 8 in (13 x 21 cm)
Framed: 13.5 x 16.5 x 1.5 in (34 x 42 x 4 cm)
Photo: Paul Salveson
Photo: Paul Salveson
Untitled (Peter Hujar, Hall, Canal Street Pier, 1983)
2020
Graphite on paper, wood frame
8 x 8 in (20 x 20 cm)
Framed: 16 x 16 x 1.5 in (41 x 41 x 4 cm)
Photo: Paul Salveson
Photo: Paul Salveson
Photo: Mark Blower
Untitled (Elysian)
2023
Watercolor, graphite, dried seeds from Elysian Park, piercing needles, antique 24k gold thread, silver wire, pearls, feathers, 24k gold leaf on parchment, brass nails, walnut veneer, walnut frame
Approx. 43 x 32 in (109 x 81 cm)
Framed: 47.5 x 36.5 x 3 in (121 x 93 x 8 cm)
Photo: Paul Salveson
Photo: Paul Salveson
Untitled (Put Badly, Gi Hyeong-do)
2022
Antique 24k gold thread on sambe, brass nails, walnut veneer, walnut frame
69.75 x 23.25 in (177 x 59 cm)
Framed: 74 x 29 x 2 in (188 x 74 x 5 cm)
Photo: Paul Salveson
"Put Badly" by Gi Hyeong-do
A few shadows
hung around in the dark
Some stayed
by the pitch black wall
Sensing trouble
vehicles killed their lights
In an instant
each building bolted its door
and waited in fear
An explosion of kerosene fumes
a thin slinky sound
of dragging metal
black leaves leered
as they rumbled by
hands and feet moved quickly
the flicker of cigarettes
somebody who walked
into the alley
uttered a cry of shock
Those guys why do they gather
in the dark every night
Where do the desires of
those young men go
Why are human pleasures
all the same
Photo: Paul Salveson
Photo: Mark Blower