what’s it like, to like be like a mollusk? silent
networks, straining bits through the fine mesh,
waiting for the correct molecules to be
interpreted. By chance, capturing idea from the primordial soup.
mussel as mind, as sea [--] great Fortune.
breaking down cellular structures, makin’ things
smooth, like soup(s). ‘cuz that’s how money,
and spirit, travel. old streams forming
thoughts and matter into islands
spending time in a Las Vegas hotel casino is cosmic.
with a vista from a temp. controlled room,
windswept and void, already Ozymandias.
there’s a lot of waste here, a lot of shit – buffet food funnel through
participants like seawater through the bivalves. here, you can see
things in their past and future states, simultaneously – we can travel
through objects, without leaving our seats – a metabolism of time –, facets
of the infinite.
On the way here, mirror
displacements and a tower
of boiling molten salt,
Prophesized by an artist who channeled another
civilization into another era – the Yucatan, space
and time collapse, spiraling.
but y’know, there are many false Alephs,
he says, as the bird flying towards the beacon becomes a flaming ball
of light, Atomizing.
the Honda Accord in the rear-view mirror on the 10 Fwy possesses a
dual-tone pink/blue hue, is the setting of the sun.
Parodies might be things that become known to
themselves, in like blinding flashes of light –
Ultra clichés, currency set ablaze,
semblances fizzle, vaporizing.
an old couple next to me on slot
machines, like two clams filtering in the
sea, sitting, waiting for this drama to
unfold - To like take part.
Kirk Kerkorian (here even names are parodic), owner/major
stakeholder of Metro-Goldwyn-Mayer pictures, moves the pictures
company into the gambling industry. Garbo and Gable,
even Pascal make appearances but are
bathed in a more geometric light.
(interior, night)
The guy sits at a wagering table with a stack of blue clay tablets. This weight
forms a reverse flowing channel, backwards 8 thousand years
to these ancient forms of exchange.
[He renders himself a transparency, like a wave, indeterminate - a
living currency -, like a mollusk at sea … ]
Sincerely, Ben Tong, 2014.